The Chilean State expanded during the XIX century and beginnings of the XX not only appealing to legal and institutional basis, but also by proposing a series of visual models that would regulate the social and public life. In this context, the photographic images played a intermediary role by uniting a baroque vision of power with a positivist conception of order. The result of that union was the visual construction of the nation.
Ossa, C. (2015). El soberano óptico: la formación visual del poder. Revista Chilena De Literatura, (89). Retrieved from https://actascoloquiogiannini.uchile.cl/index.php/RCL/article/view/36601
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